Painting lessons Nürnberg

What to expect from short seminars?

Actually, the practitioner can’t absorb too much in the short time, we rumored. One often asks: “Are such projects worthwhile at all?”
My art education at various schools lasted more than 10 years. I finished school, but as a freelance artist I didn’t understand too much about artistic disciplines, I only learned that over time.

For what and why? Maybe I was too young to compete in some of those schools. And I probably had the wrong attitude towards the taught object? So far I don’t understand what blocked me in school. The reason was probably the anonymity and universality of artistic education. Art scholars tiredly came to class to tell us about painting and instead unconsciously discouraged us with our artistic failures.

What have we done?
Like a competition, driven by the ambition, we looked for a competitor in school partners. Now I know that we could easily shorten those 10 years spent in art school. It was enough time to sit down and, without fear of future success, think calmly about what one wants to do and how to achieve it. It is enough to look left and right once and find a clever way of remembering the perceived shape. This way of learning would accelerate each student’s artistic development.
“Why don’t you go paint when you’re already here?” a lecturer once asked me. Because the time in this school was wasted and I didn’t have the courage to give it up. The answer is quite simple, I hadn’t found anything better yet. While painting in my painting studio, I imagined my future group of artists. People of different ages who enjoyed actively performing paintings. Those looking for recipes for individual success, the question of learning something concrete as quickly as possible, of actively starting with the hand themselves. After all, the courses cost something, so please hurry, our precious time is wasting.
The only way out of this situation is to merge the group into one body, cooperation, paint a picture together. Experience directly on the canvas what can be achieved in just a few moments and open up new avenues for the inquiring painter and quick solutions to problems, a quick effect, an artistic transformation.

How do I imagine that? Hold a big brush with me.

Yes! You read it right. Painting with two hands, on a common picture, on a canvas. Are such drastic measures really necessary? Not necessarily, of course, but the experience is worth trying. After the theme of the painting is determined, we paint a color image. In between it is possible to show how and what “I myself” would do. The companion will watch and monitor my steps. This is how you support yours with my experiences. We will paint very quickly, which will allow us to realize a heavy picture in a short time. There will be enough time to also discuss the painting techniques and to improve the picture independently, or even to paint over it as a whole and in this way entirely according to your own intuition. And a theory, or something about the aesthetics? Of course we also talk about this, although thousands of books on these topics are already bending the shelves of the city library.

I become imperceptible while painting, showing the different materials and meanwhile talking about their properties. The theory is not enough to create a good picture. You will still need some exercise to master its use and bypass the burden of knowledge.

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